Character bungalow, modern extension: A black-and-white masterpiece in Point Chevalier

Black into white does go. When you extend a character property and aim for sharp contrast, there’s nothing grey about the results.

Jamie and Paul Oliver run a branding agency and their house is proof that, just as when crafting a compelling campaign, success lies in the details. However, you’ll have to look closely to discern those in their Point Chevalier, Tāmaki Makaurau/Auckland home, because its charm lies in restraint. The details are there, but a streamlined aesthetic and clean lines triumph over fuss.

MAIN IMAGE A modular Arcade sofa wraps around a Fragment coffee table, and a Hangover side table is provided for drinks, all by Simon James. On the wall a work by Jonny Niesche adds a shot of soft colour.

The site was a surprise find for the couple who, six years ago, were ready to vacate their Western Springs home, with their eyes on neighbouring Westmere. When the real estate agent led them to a 1920s bungalow do-up across the road from Pt Chev beach, the untouched house drew them in. “When we looked at the property, I thought, ‘This is amazing’, because the house was so original,” Jamie says. “The previous owner had lived there 80 years. It was easy to walk in and clean it up.”

ABOVE The gabled form of the extension, draped in dark steel, complements the bungalow’s roofline. Full-height joinery provides an unimpeded outlook to the PebbleTech pool and integrated spa, which sits up against the house, negating the need for a fence on that edge.

On the generous 632sqm section, the pair saw the beauty in preserving the original bungalow, while adding a modern annex to the rear. Living in the house for two years before renovating gave them clarity in their vision. “During that time, we gained a feel for it, and it became clear that we didn’t want to get rid of it,” Jamie says. Although she and Paul love being close to the sea, the flat terrain was also perfect for a pool — now a favourite summer hangout for the family.

ABOVE From the street, the property is all classical character, since the modern extension is concealed from view.

From the street, the bungalow is quaint, revealing nothing of the black extension tucked away. “We’ve always loved those suburbs in Sydney and Melbourne where some houses are understated from the front, offering you no idea of what’s out the back,” Jamie says. “So many different housing styles have gone up in Point Chev in recent years, and many old homes are being knocked down, so we felt the pull to hold onto this home’s character.”

ABOVE With Macfie Architecture and Intact Construction, Jamie and Paul Oliver extended this four-bedroom Auckland bungalow for themselves and their two boys, Huxley (10) and Zac (8).

The couple engaged Michael Macfie, architectural director of Macfie Architecture, to realise their vision for the white bungalow contrasted with a contemporary form in black.

ABOVE Concrete floors, coloured with a Peter Fell oxide, have calm presence, while a bespoke fireplace, crafted by builder Matt Farrell of Intact Construction, picks up on the linearity of the design. Above the fireplace hangs a Chanel bag print, and paintings along the hallway include a black and white work by Glenn Wolfgramm. This area is fitted with Arkoslight Minimal track lighting from Fourth Dimension, so that the spots can be repositioned along with the artwork. The Fragment dining table and Tangerine chairs are by Simon James. On the table is a candelabra from Ornament.

The original entrance and a sitting room were restored to showcase heritage touches such as leadlight windows, an ornate ceiling rose and the classic bungalow feature of the front door being positioned at the side of the house.

ABOVE The kitchen, designed by Essex Cabinetmakers, boasts an Arabescato marble splashback and benchtop from Italian Stone. A brass Lateral pendant from Powersurge, ties in with a matching trim beneath the island bench. Tangerine bar stools are by Simon James.

The existing spaces were dedicated to bedrooms, a lounge and a playroom for the Olivers’ two young boys. While the footprint was retained, damaged walls were rebuilt and one bedroom reimagined as an ensuite and walk-in robe. Then the walls and floor were painted white. “When we decided to paint the floorboards white, people told us we were mad. But they have honestly proved so hardy,” says Jamie. The serene main suite has warming gold-hued details. “We are monochromatic people,” Paul says. “Although I like touches of colour — especially greens.”

ABOVE The laundry and extra storage extend in a line from the galley kitchen. “It’s visually clean and functional,” says Paul. “It’s basically one long, linear workspace.”

To the rear they added a modern, open-plan kitchen, living and dining zone. “This extension is marked by passing through a glazed link, which steps down to the entertainment wing,” explains Michael. “We designed the space with high ceilings, polished-concrete floors, in-situ fireplaces and full-height stacking doors which open directly to the outdoors.”

ABOVE The layout of the west-facing extension was based around the passage of the sun and maximises the width of the section. “If you stand in the kitchen and look out, you get a sense of that wide, open feel,” says Paul.

It’s a sleek oasis, with a view straight through the lounge and dining area to the lawn, pool and sheltering trees. Inside, white curtains, pale concrete and fine black joinery calm the senses. The cool smoothness of the concrete and the soft drape of fabric add to the room’s sense of ease. “We designed these spaces around the furniture,” Jamie says. “We knew we wanted a large couch in the lounge, so we kept pushing it out to make it fit.”

ABOVE A polished stainless steel Pebble mirror from The Cool Hunter, brings organic shape into the streamlined extension, where concrete floors are softened by a moss-coloured wool rug from Nodi. The olive velvet cushion, from Coco Republic, and graphic black and white one, from Penney + Bennett, tie the colour theme together beautifully.

The couple deliberated about the length of the glazed link between old and new, knowing that the longer they made it, the shorter the pool would be: “But we didn’t want it to be a ‘stop-start’; it needed to be a transition,” says Paul.

ABOVE Stairs were installed where the original house ended and a glass corridor pronounces the transition from old to new. To the right is the entrance to the powder room and laundry.

A lesson in visual lightness, the formula is for an elegant extension that doesn’t dominate. “We wanted the doors to be full height, with the beams hidden in the roof cavity, to give the space architectural clarity,” Michael says. “Lights and curtain tracks are hidden in the ceiling, so it’s a smooth transition.”

TOP In the lovely, light main bedroom, a wall sconce and custom-made side shelving by Powersurge add luxurious detail. Jamie and Paul chose Resene Half Wan White for the walls, with ceilings, architraves and skirtings in Resene Quarter Wan White. ABOVE This desk in the main bedroom was custom made by Essex Cabinetmakers; above are custom shelves by Powersurge. The couple painted the original timber floor here in Read Bros. Polar White, with a matte finish.

Extending from the living is a welcoming outdoor space where the boys, Huxley and Zac, can play on the grass and swim in the pool. It’s easy to imagine barbecues with families here on sunny days.

ABOVE Leadlight windows in the family bathroom are original but Tundra honed limestone floors from Artedomus, move the design up a notch. Envisioning the shower box as a linear wall, Jamie and Paul chose handheld and dumper fittings from the Plumbline Buddy range to avoid a large rail. But it’s the freestanding Caroma Elvire bath that takes top billing in the serene space, complemented by a backdrop of cream marble finger mosaics from Artedomus.

A mature, wrap-around tītoki hedge lends privacy to the outdoor fireplace, which is a year-round focal point below a louvred pergola. Slender steel supports, anchored discreetly in the roof cavity, extend the elegance. “We’re able to pull the doors right back for seamless flow from the kitchen to the pizza oven,” Jamie says.

ABOVE In the front lounge, which is mainly used by the children, Fornasetti plates hang next to a graphic monochromatic work. A Tim Webber sofa is a comfy spot to sit, while the painted floors are softened by a circular Boh Runga rug by Designer Rugs.

The board-finished custom concrete fireplace is the pièce de résistance of the outdoor zone. Builder Matt Farrell of Intact Construction says it was both cast and poured on site. Enhancing the home’s visual ease, the same concrete was poured on site to craft the living-room floor. It was polished and sealed before wrapping up into an internal fireplace hearth, which adds to the feeling of continuity.
A clever design approach saw the living area’s glass sliders operating as part of the pool fence. Michael says: “The last two doors are fixed, avoiding us having to lose another metre to install a separate pool fence. We designed the doors to close at that point, working the pool around it.”

TOP This area of Huxley’s bedroom, located in the original part of the home, is dedicated to his collection of skateboards. A Martino Gamper stool from Simon James, punches in some colour. ABOVE One of Paul’s old surfboards acts as artwork in Zac’s bedroom, where the circular theme is set by both a black and white rug from BoConcept, and the Muuto Under the Bell pendant from Bauhaus.

The family love the upgraded alfresco area for parties. “No matter how old the kids are, letting them play outside while being able to watch them from the kitchen is a gamechanger,” says Jamie.
Black corrugated iron cladding works well but was, in fact, a happy accident, Michael explains. The original plan was to install a rainscreen but, when that was delayed due to a material shortage, the longer Jamie and Paul waited, the more the robust beauty of the corrugate appealed. Its matte finish and fine ridges give the façade subtle texture that shifts with the light.
All up, there’s not a single space that doesn’t now work better. “We’ve injected personality through furniture and art but, at the same time, we are big entertainers and this is such an easy house to realise that in,” says Jamie. “We aren’t too precious and the house is robust enough to serve both adults and children.”
A curated balance of simplicity, connection and enduring style makes this home as functional as it is beautiful.   

Words Catherine Steel
Photography Larnie Nicolson

 

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